
Piece 01 of 05
Crimson Study I
2025Ink and gouache on cotton, 70 × 100 cm
A single vertical stroke, laid before the figure existed. Everything else was drawn to justify it.
Fashion illustration · Berlin
Ink, gouache and one stubborn stroke of vermilion. Drawings made for the half-second before a garment moves.

About

Georg Martin draws fashion the way it is actually seen — at a glance, in motion, half-finished in the eye.
The studio works almost entirely in ink and gouache on heavy cotton paper. Each figure begins as a single unbroken line laid down in one breath; everything after that is subtraction. What survives is posture, weight, the fall of a hem — the parts a photograph flattens.
Commissions run from editorial spreads and campaign keyframes to live drawing at shows and private portraits. Work has appeared in print across Europe, in three group exhibitions, and on a small number of walls that matter more than any of it.
I am not drawing the dress. I am drawing the second it stops moving.
Selected works
Five drawings from the last two seasons. Scroll to move through them.

Piece 01 of 05
2025Ink and gouache on cotton, 70 × 100 cm
A single vertical stroke, laid before the figure existed. Everything else was drawn to justify it.

Piece 02 of 05
2025Brush ink on toned paper, 50 × 70 cm
Drawn at the end of a fitting, from memory, while the room was being swept.

Piece 03 of 05
2024Ink, gouache, digital finish
The lace took nine hours. The face took four minutes and is the only part anyone mentions.

Piece 04 of 05
2024Gouache on paper, diptych, 60 × 80 cm each
Two states of the same gesture, hung apart so the eye has to do the work.

Piece 05 of 05
2023Ink wash and vermilion, 100 × 140 cm
Commissioned for a window in Vienna. Painted twice; the first one was better and is gone.
Contact
Commissions, editorial assignments, live drawing and print enquiries. Replies usually land within two working days.
Or write directly
[email protected]